Animation Supply and Demand

Yesterday evening I finished building the rigs to three different types of hands. I’m now at a point where I can slowly start animating and adding textures, as well as the nitty-gritty of getting deformations right as I hobble along.

I always have a tendency at being over-optimistic as to when I can start showing results, and as a result, I jinx myself. But reaching this point still feels rather big to me. It’s taken about two years for me to hash out this film’s concept, and then two more years just to figure out the style and production of this film. That’s more time than I ever spent on a film, and as a result the process also terrified me in many ways – what if it turns out disappointing after all this time? Unfortunately in art, it doesn’t really matter that much how much effort you put into something, it’s all about the result. I don’t know if this film will be good, but I do know how happy I’ll be when I’ve finished it, and that’s my motivation for now.

But all that said: to finally see a few scenes coming together with some really basic and rough animation is… pretty damn exciting.

I hope that I can show some playblasts pretty soon. And more textures, and renders, and animation, and a film, and and and… 🙂

Rube Goldberg

This is a work in progress I am currently busy with. It is going to be an explanatory animation using an animated Rube Goldberg machine.

Part of the Rube Goldberg setup.

Two animated hands that will be used within the machine itself. Rig was made by me, the animation itself is a test to see if the rig is functioning properly.